2026 events incoming, plus a release date for PINFEATHERS!

My 20th book, PINFEATHERS, will be out on November 17th, 2026. There’s no cover yet but stay tuned. I loved writing this book – yes, I say that about all of my books, but it’s true. It’s a little funny and a little sad and a lot unhinged and full of body horror. In the meantime, here’s the back cover copy:

A tense, gripping novel about a mother whose child begins to change in ways she can’t explain, from the national bestselling author of The Place Where They Buried Your Heart.

Nora Pacetti is a new stay-at-home mother, tired but coping while caring for her happy, healthy baby Olivia. But then one morning, something that looks like a feather starts growing out of Olivia’s arm. Or at least, that’s what Nora’s mother, Giulia, thinks. Nora thinks her mother has probably spent too much time watching conspiracy videos on YouTube.

Nora’s husband thinks Olivia needs tests, specialists, hospitals. But Nora senses that whatever is happening to her daughter needs to be concealed—and a mother’s intuition is never wrong. Soon sinister people begin asking questions about Olivia, and Nora starts to wonder if there really is something wrong with her baby. But she’s determined discover the truth about her daughter…no matter the cost.”

If you follow authors then you know that we’re always talking about preorders. Preorders are so, so, so important – especially now. There are more books coming out every month than ever and preorders help bookstores determine whether or not there’s enough demand to stock the book in store. Preorders also help publishers determine the print run of a book. Higher print runs means there will be more copies in bookstores and libraries, which increases discoverability. If you think you might be interested in a book, please preorder OR ask your local library to preorder a copy (or both!)

Preorder at my local bookstore: Three Avenues Bookshop

Preorders at Three Avenues can be signed/personalized by me and shipped anywhere in the U.S. I will also sign and personalize my back catalog at any time – just contact Three Avenues for more information. They will generally need a little time to order older books for me to sign, so keep that in mind.

Preorder at Bookshop

Preorder at Barnes & Noble

Preorder at Amazon

My 2026 schedule is starting to get filled in, and I’ve got quite a few fun events coming up, though I can’t quite announce all of them yet. For more information, keep checking my Events page. In the meantime, here’s what I can share with you:

Gaithersburg Book FestivalMay 16, 2026

I’m so happy to announce that I’ll be appearing at the Gaithersburg Book Festival on Saturday, May 16th at Bohrer Park in Gaithersburg, MD! The schedule is still being finalized so check the event website for further details.

Boos & Booze Presents: An Evening of Horror with Christina Henry – June 24, 2026

Peoria Public Library North Branch – Peoria IL

North McKenzie Room Wednesday, June 24, 2026 5:30pm–7:30pm

Step into the dark with horror author Christina Henry as she unpacks what it takes to write stories that will haunt you. She’ll talk about her horror writing process and her latest novel, The Place Where They Buried Your Heart, before opening the floor for a short, spine-tingling Q&A. Stay brave till the end for a book signing—if you dare.

Peoria Book Rack will be on site with books available for purchase, and horror aficionados The Slash Sisters will also be there to promote their social media and upcoming events.

https://peoria.librarycalendar.com/event/author-visit-hold-31321

Horror on the Mississipi – New Orleans, LA – October 1-4, 2026

I’m so excited to be a part of the Horror on the Mississippi event the first weekend in October. There’s ONE ROOM LEFT, so if you’ve been on the fence join me and a ton of other incredible authors in New Orleans for book talk, an indie bookstore crawl, a ghost tour and of course, lots of delicious food!

https://sites.google.com/view/horrorreaderweekend/horror-on-the-mississippi-2026?authuser=0

THE PLACE WHERE THEY BURIED YOUR HEART is out today!

I’m so, so excited that my latest book, THE PLACE WHERE THEY BURIED YOUR HEART, is out in the world. I really loved writing this book and I hope you love it, too. I’m doing a little book tour for this one so I hope I get to see you out on the road. If you can’t make one of the tour stops please do contact Three Avenues Bookshop (my local bookstore) by phone and I will sign & personalize your book. Scroll down for tour graphics and more information about each stop. Happy reading!

“On an otherwise ordinary street in Chicago, there is a house. An abandoned house where, once upon a time, terrible things happened. The children who live on this block are told by their parents to stay away from that house. But of course, children don’t listen. Children think it’s fun to be scared, to dare each other to go inside.

Jessie Campanelli did what many older sisters do and dared her little brother Paul. But unlike all the other kids who went inside that abandoned house, Paul didn’t return. His two friends, Jake and Richie, said that the house ate Paul. Of course adults didn’t believe that. Adults never believe what kids say. They thought someone kidnapped Paul, or otherwise hurt him. They thought Paul had disappeared in a way that was ordinary, explainable.

The disappearance of her little brother broke Jessie’s family apart in ways that would never be repaired. Jessie grew up, had a child of her own, kept living on the same street where the house that ate her brother sat, crouched and waiting. And darkness seemed to spread out from that house, a darkness that was alive—alive and hungry.”

More information on the U.S. edition here

Nov. 4, 6:30pm Launch Event for THE PLACE WHERE THEY BURIED YOUR HEART! Three Avenues Bookshop, with Nick Medina

3009 Southport Ave, Chicago, IL 60657

RSVP here: Three Avenues Bookshop

Nov. 5 6:30pm Blue House Books at the Final Girl Bar with S.A. Barnes

The Final Girl Bar, 7546 Sheridan Road, Kenosha, WI 53143

Tickets are REQUIRED for this event. Please get your ticket at the link below!

Blue House Books

Nov. 6, 7pm Brookline Booksmith, with Christopher Golden

279 Harvard St, Brookline, MA 02446

Please RSVP for this event at the link below!

Brookline Booksmith

Nov 7-9 Horror on the Hudson

My schedule is still being finalized for this event, but the general schedule is up on their website.

55 Hessian Dr., Highland Falls, NY 10928

https://sites.google.com/view/horrorreaderweekend/horror-on-the-hudson-2025

Nov 11, 6:30pm Doylestown Bookshop with Lindy Ryan

16 S Main St, Doylestown, PA 18901

Event link: Doylestown Bookshop

 Nov 13, 6:30pm Schuler Books, with Erin Craig

2660 28th St SE, Grand Rapids, MI 49512

Event link at Schuler Books

Nov 15, 10am-12pm Signing at Bobzbay Books

419 N. Main St. Bloomington, IL

https://bobzbay.square.site/christinahenry

Nov 18th 7pm Mysterious Galaxy with Dennis K. Crosby

3555 Rosecrans St #107A San Diego, CA 92110

Event link for Mysterious Galaxy

Nov. 20, 6:30pm Murder by the Book with Ava Morgan

2342 Bissonnet St, Houston, TX 77005

Some information from the bookstore re: their event policy:

“A copy of the author’s new book must be purchased from MBTB in order to obtain a line number and get anything signed. Line Numbers for the event will be available starting the day the book goes on sale, but you can preorder at any time and we’ll pull a number for you when the book is released.”

More information at the link below!

https://www.murderbooks.com/Henry

The U.K. edition is published by Titan Books

Buy from Waterstones

Buy from Foyles

Buy from Forbidden Planet

Broken Binding Special Signed Hardcover edition available here

My German friends, do not despair! The book will be translated into German and released in the spring of 2026. More info to come.

THE PLACE WHERE THEY BURIED YOUR HEART book tour & other upcoming events!

I’m getting so excited for the release of THE PLACE WHERE THEY BURIED YOUR HEART – it’s just two months away! We’re putting together an amazing list of events for this book so I hope you will come out and see me. I’ve also got a couple of Chicago-area events coming up prior to the book tour, including a fun library event in Crystal Lake and a great panel with Daphne Fama, Nick Medina and Rachel Harrison at Exile in Bookville. Details below – more events/info will be added so check the Events tab later this month.

September 27, 12-4PM Books, Brews, and BBQ at Crystal Lake Brewing

Event is free! Books will be for sale from Abalabix Books. I’m happy to sign any books you may bring from home.

150 N Main St, Crystal Lake, IL, 60014

https://abalabixbooks.com/event/books-brews-bbq

Oct 15, 7:00 PM Brought to You By Berkley Horror Event at Exile in Bookville

Read If You Dare: A Night Full of Horror w/Rachel Harrison, Daphne Fama & Nick Medina

Tickets are required. Visit the event website below for more info.

Fine Arts Building, 410 S Michigan Ave Suite 210, Chicago, IL 60605

https://exileinbookville.com/events/47810

THE PLACE WHERE THEY BURIED YOUR HEART book tour!

Nov 1 Louisiana Book Festival

My schedule is still being finalized for this event but check back here or the event website around the end of September. They will have early copies of THE PLACE WHERE THEY BURIED YOUR HEART.

701 N 4th St, Baton Rouge, LA 70802

https://www.louisianabookfestival.org/

Nov 2, 1pm Octavia Books, with Brian Asman and Philip Fracassi

This event will be two days before the official release of THE PLACE WHERE THEY BURIED YOUR HEART, but they will have early copies just for this signing! If you’re in New Orleans don’t miss this.

513 Octavia St, New Orleans, LA 70115

Event link at Octavia Books

Nov. 4, 6:30pm Launch Event for THE PLACE WHERE THEY BURIED YOUR HEART! Three Avenues Bookshop, with Nick Medina

3009 Southport Ave, Chicago, IL 60657

PREORDER HERE: Three Avenues Bookshop

Nov. 5 6:30pm Blue House Books at the Final Girl Bar with S.A. Barnes

The Final Girl Bar, 7546 Sheridan Road, Kenosha, WI 53143

Tickets are REQUIRED for this event. Please get your ticket at the link below!

Blue House Books

Nov. 6, 7pm Brookline Booksmith, with Christopher Golden

279 Harvard St, Brookline, MA 02446

Please RSVP for this event at the link below!

Brookline Booksmith

Nov 7-9 Horror on the Hudson

My schedule is still being finalized for this event, but the general schedule is up on their website.

55 Hessian Dr., Highland Falls, NY 10928

https://sites.google.com/view/horrorreaderweekend/horror-on-the-hudson-2025

Nov 11, 6:30pm Doylestown Bookshop with Lindy Ryan

16 S Main St, Doylestown, PA 18901

Event link: Doylestown Bookshop

 Nov 13, 6:30pm Schuler Books, with Erin Craig

2660 28th St SE, Grand Rapids, MI 49512

Event link at Schuler Books

Nov 15, 10am-12pm Signing at Bobzbay Books

419 N. Main St. Bloomington, IL

https://bobzbay.square.site/christinahenry

Nov 18th 7pm Mysterious Galaxy with Dennis K. Crosby

3555 Rosecrans St #107A San Diego, CA 92110

Preorder from Mysterious Galaxy

Nov. 20, 6:30pm Murder by the Book with Ava Morgan

2342 Bissonnet St, Houston, TX 77005

Some information from the bookstore re: their event policy:

“A copy of the author’s new book must be purchased from MBTB in order to obtain a line number and get anything signed. Line Numbers for the event will be available starting the day the book goes on sale, but you can preorder at any time and we’ll pull a number for you when the book is released.”

More information at the link below!

https://www.murderbooks.com/Henry

C2E2 2025 schedule and THE PLACE WHERE THEY BURIED YOUR HEART cover reveal!

Hey, look at this – I’m already doing better with posts this year compared to last year. At some point I’ll start posting consistently and I’ll be able to stop apologizing. This is a pretty quick one, though – just popping in to share my C2E2 panel and signing schedule and to show you the absolutely gorgeous cover of my upcoming novel, THE PLACE WHERE THEY BURIED YOUR HEART.

First, my schedule! This is from the C2E2 website, and they goofed slightly on the Friday signing. Obviously I can’t be in two places at once due to the constraints of time and space, so the signing will take place at 1pm AFTER the panel. I hope to see many of you on Friday or Saturday!

Now, for the moment I’ve been waiting for – the absolutely beautiful cover of THE PLACE WHERE THEY BURIED YOUR HEART. It will be out on November 4, 2025.

ISN’T IT GORGEOUS?!? I asked the team for a retro horror vibe and they really came through.

Here’s a little blurb for you:

The Place Where They Buried Your Heart

A woman must confront the evil that has been terrorizing her street since she was a child in this gripping haunted house novel from the national bestselling author of The House That Horror Built and Good Girls Don’t Die.

“On an otherwise ordinary street in Chicago, there is a house. An abandoned house where, once upon a time, terrible things happened. The children who live on this block are told by their parents to stay away from that house. But of course, children don’t listen. Children think it’s fun to be scared, to dare each other to go inside.

Jessie Campanelli did what many older sisters do and dared her little brother Paul. But unlike all the other kids who went inside that abandoned house, Paul didn’t return. His two friends, Jake and Richie, said that the house ate Paul. Of course adults didn’t believe that. Adults never believe what kids say. They thought someone kidnapped Paul, or otherwise hurt him. They thought Paul had disappeared in a way that was ordinary, explainable.

The disappearance of her little brother broke Jessie’s family apart in ways that would never be repaired. Jessie grew up, had a child of her own, kept living on the same street where the house that ate her brother sat, crouched and waiting. And darkness seemed to spread out from that house, a darkness that was alive—alive and hungry.”

You can preorder the book on Bookshop or at your local independent bookstore. Please support local stores if you can – they are a vital part of our communities!

2025 Appearances, upcoming releases and social media updates

Hello, dear reader friends. I know, I know – last year I said I was going to try to be better about posting here but this year I REALLY MEAN IT. I’ve been primarily relying on social media for the last few years but with the death of Twitter and now everyone migrating away from Meta products it’s getting harder and harder to figure out how to reach readers. I’ve never been able to escape the feeling that if I post here I should really POST – like, basically write an article every time – but I probably need to reconsider. Maybe short posts are enough. Anyway, re: social media usage in general, this is what I’m using (or not) these days:

Threads: I’m there at @authorchristinahenry. This is where I’ve been posting most frequently if you want to see stuff from me. That could change as more people migrate to BlueSky.

BlueSky: I’m also there, @christinahenry.bsky.social. I’ve been trying to use it a little more lately, but it seems like it’s harder to get a conversation going there.

Instagram: Same as Threads – @authorchristinahenry. I post semi-regularly, but I’ve never gotten into making Reels or whatever they’re called because I don’t like to look at my own face on video. This is why I never opened a TikTok account, so don’t even look for me there.

Facebook: I have a fan page there but I pretty much only use it to post the occasional bit of book news – new releases, events, etc. I’ve never liked Facebook and it seems like it has gotten worse over the last few years – my feed is cluttered with random junk and it annoys me to even open the app. If you’ve tagged me there or responded to something I posted and I never acknowledged it I apologize. I just don’t really use it at all.

Twitter: I kept my Twitter account open only so that no one would try to pretend to be me on that site. I have not used it or even opened the app for several months. As with Facebook, it’s not a good place to tag me because I’m not posting there.

More and more authors are insisting that everyone should have a newsletter, but when I asked about this the other day on Threads it seemed 1) a bunch of authors were absolutely certain that readers were opening and reading their email, 2) a bunch of readers were saying they DIDN’T open or read these emails or they didn’t want more stuff cluttering their inbox.

And look, a lot of people open emails but don’t read them because they are just trying to clear the notification. I’m guilty of this myself. I’ve been contemplating a Substack for a while now but I’m not sure the juice is worth the squeeze if readers don’t want more email. Anyway, maybe I’ll try a newsletter later this year. If you’re on Threads or BlueSky and would be interested in this kind of thing from me, let me know, and also let me know what you like to see in terms of newsletter content.

My nineteenth book, THE PLACE WHERE THEY BURIED YOUR HEART, is currently moving its way through the editing process and will be out in November of this year. When I have more info and preorder links I will certainly post those here and on social media. The cover is absolute FIRE and I can’t wait to share it with all of you. The release date is a pretty late in the year and I’m debating whether or not to do a little book tour as I did in 2023. This may depend on interest so if you are a bookstore owner/manager let me know through my publicist, Yazmine Hassan, if you’d like to host – yhassan@penguinrandomhouse.com

Here’s a little blurb for THE PLACE WHERE THEY BURIED YOUR HEART to whet your appetite:

Now, on to the fun stuff! I’ve got a few appearances scheduled for this year already and I’d love to see you out there. Side note: if you want me to come to your town/festival, send a note to the festival organizers and ask them to invite me! They can contact my publicist at yhassan@penguinrandomhouse.com

My first appearance of the year will be in support of my fellow Chicago author, Cynthia Pelayo. I’ll be in conversation with her at City Lit Books on March 11th from 6:30-7:30. Please join us! Cynthia’s latest book, VANISHING DAUGHTERS, is absolutely beautiful and you don’t want to miss it.

In March I will also be attending the Third Coast Author and Book Festival in Grand Haven, MI on March 22nd. This will be a massive event with over 100 authors signing books and meeting fans. Don’t miss it!

On April 26th, 2025, I’ll be attending Concinnity 2025 in Milwaukee at Milwaukee School of Engineering, Diercks Hall, 1025 N. Milwaukee St. There will be panels and signing times – more info to come!

On Saturday, August 2nd, I’ll be at the Books and Brews Event presented by Books of Horror. This event was originally to be held at Scarlet Lane Brewing but they have had a venue change to the Wyndham Noblesville, Indiana. For up to date information and ticketing follow them on Instagram or Threads at @_booksandbrews_

Finally, I will be at Horror on the Hudson 2025. Reservations for this have not opened yet, so join their email list at horrorreaderweekend.com or follow them on socials at @christineharrold for updates!

THE HOUSE THAT HORROR BUILT preview, launch event and preorder signed bookplate giveaway!

Hello, my lovely reader friends. I know, I know – I’ve been EXTREMELY BAD about keeping this website up to date. I’ve been struggling for the last few years with a chronic health condition that makes it hard for me to do much of anything some days, and when that happens I prioritize getting as much actual writing done as possible. That said, I am going to try to do better than once a year.

My most recent book, GOOD GIRLS DON’T DIE, was released in November and I was able to do a little book tour to support it. Extremely huge thanks to Jimmy Juliano, Gabino Iglesias, Sadie Hartmann, and KC Grifant (all wonderful writers in their own right) for helping me out with that. Also MUCH love and thanks to all of the readers who showed up and also to the bookstores that sponsored the events – Bucket O’Blood Books and Records in Chicago, Vintage Bookstore and Wine Bar in Austin, Third Place Books in Seattle, and Mysterious Galaxy in San Diego.

My next book, THE HOUSE THAT HORROR BUILT, will be out on May 14th, 2024! I’ll be doing a launch/signing event at Three Avenues Bookshop at 3009 N. Southport Ave in Chicago at 6pm. If you’re in the Chicago area please join me! I’d love to see you. FREE tickets for the event are at this link: Three Avenues launch event

If you’re not in the Chicago area you can still get a signed bookplate from me if you preorder THE HOUSE THAT HORROR BUILT! Here’s how it works:

1) Preorder a copy of the book from any retailer (but support your local bookshop if you can),

2) Email me at info@christinahenry.net with proof of your preorder and your mailing address,

3) I’ll send you a signed bookplate for your book.

A couple of caveats: a) You have to live in the U.S./Canada (international postage is verrrry expensive, sorry) and b) I won’t be answering any of these emails as someone will be helping me collect the addresses.

If you live in the U.K. don’t despair! There is a special limited edition with a signed bookplate and sprayed edges available from Waterstones: The House That Horror Built signed UK edition

Read on for a little preview of THE HOUSE THAT HORROR BUILT!

HARRY
before


SHE REMEMBERED FALLING IN love with movies when she was very young, remembered disappearing into the dark with only the flickering screen to guide her. She remembered the feeling of drifting away from the seat and the small bag of too- salty popcorn and into the movie as the restless sounds of her mother and father and sister shifting and coughing and whispering faded to another time and place, another time and place that Harry had left behind.

Her parents took her to very few films, and even then only films that were considered “clean”— while the rest of her fourth- grade class chattered excitedly about Titanic she had to content herself with occasional glimpses of clips during television commercial breaks. Her parents were half- convinced that film and television were actual tools of the devil, and Harry and her sister Margaret (always Margaret, never Maggie) weren’t allowed to see anything that had higher than a G rating. But Harry didn’t care. She loved the movies— loved the drive to the theater and the way

everything smelled like hot butter and Raisinets, loved watching the coming attractions before the film started and the hush of anticipation that fell when the title sequence began. Even if she was only allowed to see G movies at least she was seeing movies. At least she was someplace besides her sober, judgmental household, a place where the only acceptable conversation was prayer and the only acceptable attitude was piety.


Harry knew her family was different than other families, even different from most of the families who attended the same church. Her school friends attended Sunday school with her and went to Christian summer camp but they also were allowed to walk the mall in small groups. They had cable television and saw rated R movies late at night after their parents had gone to bed. They had new clothes from places like the Gap and American Eagle and Aeropostale, while Harry and Margaret were only allowed Salvation Army secondhands.

Harry was eleven when she was permitted to attend her first sleepover birthday party. She’d begged her mother to allow her to go, having always been the only girl left out when she had to turn down previous invitations. For some reason, on that particular occasion, her normally stern mother relented— a decision she would likely regret for the rest of her life, because it was on that night that Harry was irredeemably corrupted.


The friend, Jessica Piniansky, had an older sister named Erin who had been left in charge of the menagerie of girls for the evening while Jessica’s parents wisely went out to dinner after the birthday cake was served. Erin had been dispatched to the local video store to rent Kiefer Sutherland movies, as Kiefer was Jessica’s current obsession and her bedroom was plastered with photographs of him torn from Us and Entertainment Weekly and People that she’d taken from the library. Jessica always had slightly out of date obsessions, like she ought to have been born ten years earlier.


Erin had returned with copies of The Lost Boys and Flatliners, two films that Harry would never have been permitted to watch under normal circumstances. Her hands were sweaty as The Lost Boys slid into the DVD player, as she stared down the barrel of doing something her parents would not approve.


All around her the other girls argued over the relative merits of Jason Patric vs. Corey Haim vs. Kiefer Sutherland, but Harry didn’t join in. She was in love with the dark, with the lost boys swinging and flying under the railroad track, with the arterial spray of the first vampire attack, with the blood gushing from the sinks and spattering all over the house. She relished the thrumming of her heart, the pulse of her own blood, the terror and the splendor and the excitement she’d never felt before.


When the movie was over she felt reborn, reborn as an addict seeking another thrill. She didn’t know how she would find it again, how such a visceral pleasure would ever be allowed in a home where pleasure of any kind was a sin.

She began to sneakily read copies of Fangoria magazine whenever she saw them— at the corner store when she was sent out to buy milk, or at the bookstore when her mother wasn’t paying attention. As she entered high school and she got a job of her own— making ice cream cones and sundaes at Dairy Queen after school— she had more time and money to do what she liked, to stop and buy those copies of Fangoria on the way home and ferret them away between her mattress and box spring, taking them out only when everyone else in the house was asleep and scanning the pages, flashlight in hand, seeing hints of worlds where she still wasn’t permitted to travel— places where regular people were flesh-eating cannibals, or writers accidentally opened portals to terrible universes, or alien creatures stalked a prison world. She wanted more. She always wanted more, and more, and more, but it wasn’t until she made her escape— when she became Harry Adams and left Harriet Anne Schorr behind forever— that she could have all the terror she wanted, and then some.

ONE

IT WAS THE SIZE of the house that got Harry every time she saw it. Of course she’d seen houses that size before, in Certain Neighborhoods around Chicago, giant houses whose sheer enormity should have relegated them to the suburbs. This city house wasn’t a McMansion, though— one of those classless boxes, bulging oversized dwellings for those who wanted to display their money, or at least their debt.
It was decidedly not new, not the province of some futures broker or investment banker. It had the same gray stone face as her own two- flat apartment building— a fifteen- minute bus ride and half a world away, economically speaking— but it was twice the size. The house covered two lots, with a third lot for a side yard. As an apartment dweller she didn’t often contemplate property taxes but just the fact of those three lots made queasy multi- digit numbers dance before her eyes.
The building was three stories plus a basement level. The windows were tall on the lowest story, less so on the second one, and downright tiny on the topmost, giving the overall effect of slowly closing eyes if you glanced from the bottom to the top.
Other than the oddly sized windows there were no particular architectural flourishes save two. At the northeast corner of the roof a sculpture protruded like a Notre Dame gargoyle— a horse’s head and neck carved in stone, the horse’s lips pulled back, its eyes wild. All around the horse, stone flames rose, waiting to burn. Harry thought she’d grimace, too, if she was trapped in fire for all eternity.
In addition to the frantic stallion, there was a name carved in an arc above the door— BRIGHT HORSES.
The entire property was surrounded by a ten- foot- high black iron fence. The only two entry points were the gate in front of her and the sliding gate in front of the garage in the back.
Harry reached toward the call box so she could be buzzed in, but paused as she heard her phone chirp in her pocket. She pulled it out and saw a text from her son, Gabe.
FORGOT MY CHEM REPORT! IT’S ON MY DESK? followed by a praying hands emoji.
Already at work, she texted back, and tacked on the woman shrugging and holding her hands up.
She only worked three days a week, so if Gabe had tried on a different day she might have hopped the bus and brought his report to him. Maybe. Part of her thought he needed to learn the consequences of not thinking ahead and putting the report in his bag the night before. The other part of her wanted to cut him some slack, given that it was his freshman year and the first time the kids were back at school post- pandemic, even if it was only three days a week.
She was grateful that it was only two days off in person schooling, as her unemployed spring (furloughed from her server job, never to return) coupled with overseeing remote learning for a thirteen- year- old with ADHD had resulted in screaming, emotional breakdowns for both of them. Having Gabe’s learning monitored by qualified teachers was a profound relief.
Harry watched the reply bubbles churn on her screen until Gabe’s answer popped up. A sad face emoji, followed by a shrugging boy.
Noise crackled from the call box and a deep baritone voice emitted from it. “Are you going to stand there all day, or perhaps you’d like to work?”
Harry glanced up at the camera perched on the top corner of the fence. The preponderance of cameras in and around the house always left her feeling uneasy, even though she understood the necessity of them. There were a few too many, in Harry’s opinion, though she was careful to keep that opinion to herself.
“Sorry, Mr. Castillo,” she said, and the gate buzzed.
Harry pushed the gate open and hurried up the walk as Javier Castillo opened the front door, watching her approach.
“We’ll start in the blue room today,” he said as she jogged up the steps.
“No problem,” she said, pausing in the doorway. She pulled her slippers— plain gray terry cloth scuffs, bought expressly for and used only at the Castillo residence— out of her backpack, placed them on the floor in the entryway and toed out of her sneakers one by one, sliding each foot into a slipper without ever touching the ground.
Harry picked up her sneakers and carried them inside, placing them on the special shelf to the left of the doorway. No outside dirt, damp or germs touched the floors in Bright Horses.
The shelf that housed her sneakers was something like a preschooler’s cubby, with a space for shoes at the bottom, hooks for bags and coats in the center, and a top shelf for hats and other items. Harry pulled off her black windbreaker and hung it on a hook. She slid her cell phone into her backpack as Mr. Castillo watched. There was a strict no phone policy inside the house. Violation of this rule was grounds for immediate dismissal, though she was allowed to go outside during her lunch break to check messages.
Mr. Castillo held out the box of latex gloves stored on a side table behind the door. Harry pulled on the gloves, wincing a little as she did. She hated the feeling of pulling on the gloves, the way the material seemed to grab and yank at her skin. Once the gloves were actually on she didn’t mind them as much, although she still liked the moment at the end of the day when she was allowed to peel them off and let her skin breathe again.
Harry adjusted her medical mask— Mr. Castillo never allowed her to remove it inside the house except in the kitchen when eating or drinking— so that all that was visible were her faded blue eyes and the bit of her forehead that showed when she pulled her pin- straight blonde hair into a ponytail. She followed him down the hallway and up the stairs to the second floor.
The entry to the house was deliberately neutral— the plain gray carpet and faded wallpaper practically screamed, There’s nothing to see here! But upon leaving the downstairs hall and passing into any other room the true nature of Bright Horses was revealed.

It started on the stairway, after the first few steps, when the stairs curved to the left, out of sight from anyone standing in the entryway. A large framed poster of a voluptuous blonde in a red dress hung on the wall there. A snarling cat, blood dripping from its mouth, curled over her right shoulder, and over her left were the words SHE WAS MARKED WITH THE CURSE OF THOSE WHO SLINK AND COURT AND KILL BY NIGHT! Above her head the words CAT PEOPLE floated over a clock whose hands showed midnight.
Harry always smiled at this poster, as Cat People was one of her favorite films, though Mr. Castillo had hastened to point out that the poster wasn’t an original print. Most of the posters that lined the wall along the stairs were contemporary copies, thought there were a few genuine articles— the original U.K. quad poster for Hammer’s The Curse of Frankenstein, the lurid red French theatrical poster for Eyes Without a Face, a U.S. lobby poster for An American Werewolf in London.
It was slow going to the top of the stairs, as Mr. Castillo always got out of breath halfway up and had to stop. Harry didn’t remark on this, or offer any help. She’d made the mistake of offering assistance once, saying she would fetch a glass of water.
“I’m fine,” Mr. Castillo snapped. “I’m just fat.”
Harry attributed his breathlessness to lack of regular exercise rather than size— she knew plenty of heavier people who had no trouble with stairs because they ran or lifted weights on the regular, and plenty of thin people who tired after walking half a block. But she hadn’t said this.
She hadn’t said anything unnecessary or even vaguely personal, because it had been her first day. She was grateful to have work again, and desperately averse to jeopardizing her new source of income.
Even now, more than a month later, she never said anything that might be construed as personal. She was too much in awe of him, in awe of this person who’d let her into his home.
Javier Castillo had brown hair going gray, brown eyes behind steel-rimmed spectacles, was on the shorter side (though not as (though not as short as Harry, who had reached five feet at age thirteen and never grown again) and overall had the completely nondescript appearance of any random person on the block. He was the sort who would never attract attention unless you knew who he was, would never be whispered about if he went to the grocery store— which he never did. He never went anywhere if he could help it.
Because of this, very few people in his neighborhood realized one of the world’s greatest living horror directors lived among them. Javier Castillo, director and writer of fifteen films, most of them visually groundbreaking, genre- defying masterpieces. His film The Monster had won the Oscar for Best Picture five years earlier and swept most of the other major categories along the way, including Director and Original Screenplay. The world had waited breathlessly for the announcement of his next project.
Then a shocking, unthinkable incident happened, and Castillo withdrew into his California home, and there was no mention of potential new movies while the paparazzi stood outside his house with their cameras ready for any sign of life within.
After one too many wildfires came too close to his residence he decided to move, somewhat incongruously, to Chicago. He packed up his legendary and possibly priceless collection of movie props and memorabilia and brought them to a cold Midwestern city where the last major urban burning was decidedly in the distant past.
If it wasn’t for those California wildfires Harry would still be collecting unemployment, frantically responding to job ads with a horde of other desperate people, never hearing back, wondering how long Gabe would believe her tight smile followed by, “Everything’s going to be fine.”
But instead there was this miracle, this miracle of a strange and reclusive director who needed someone to help him clean his collection of weird stuff three days a week, and so Harry climbed up the stairs and listened to Javier Castillo huff and puff.

THE HOUSE THAT HORROR BUILT is published by Berkley Books in the U.S. and by Titan Books in the U.K.

Preorder in the U.S.:

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For preorder in the UK:

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GOOD GIRLS DON’T DIE – coming 11/14/23

I’m so excited to share the gorgeous cover for my next novel, GOOD GIRLS DON’T DIE, coming 11/14/23! More info to follow in the coming months, including a mini (very mini! It was all we could put together before the holidays!) U.S. book tour, maybe a festival appearance or two, and some fun giveaways. In the meantime, enjoy the cover and a special sneak peek of Chapter 1, plus lots of links to preorder.

If you follow any author on social media then you already know that preorders are extremely important. Publishers use preorders to decide their print runs for books, which impacts bookstore sales and exposure. Preorders can help determine if a book is ordered and shelved by your local bookstore or not (which is why it’s really important to order from your local store, if you’re able. Stores will frequently order and extra copy or two if they think there is demand). Preorders affect bestseller lists, because all preorders count toward first-week sales. Preorders can even impact whether or not an author gets a new contract, because publishers gauge interest for that author’s work through sales.

If you can’t preorder for any reason, though, don’t stress! You can still support your favorite author by liking and reposting/retweeting links on social media, telling your friends about your favorite books, and most importantly – asking your library to carry those books. So many books come out every year, and librarians don’t always know if there’s demand for every title. Requesting a copy at your local library increases visibility for authors and helps them find new readers.

All that said, here’s the cover and back cover copy for GOOD GIRLS DON’T DIE!

A sharp-edged, supremely twisty thriller about three women who find themselves trapped inside stories they know aren’t their own, from the author of Alice and Near the Bone.

Celia wakes up in a house that’s supposed to be hers. There’s a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family—and this life—is not hers…

Allie is supposed to be on a fun weekend trip—but then her friend’s boyfriend unexpectedly invites the group to a remote cabin in the woods. No one else believes Allie, but she is sure that something about this trip is very, very wrong…

Maggie just wants to be home with her daughter, but she’s in a dangerous situation and she doesn’t know who put her there or why. She’ll have to fight with everything she has to survive…

Three women. Three stories. Only one way out. This captivating novel will keep readers guessing until the very end.

GOOD GIRLS DON’T DIE is published by Berkley Books in the U.S.

Add GOOD GIRLS DON’T DIE to your Goodreads list here

Grab the U.S. edition from your favorite bookseller or one of these retailers:

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SNEAK PEEK OF CHAPTER 1 OF GOOD GIRLS DON’T DIE

PART I – CELIA

CHAPTER ONE

mysterybkluv: who else here loves cozy mysteries best?

poirotsgirl: cozies are my fave, esp if they have recipes in the back

mysterybkluv: ngl it would be great to live in a small town where there are lots of low-stakes murders and I could solve them while working in my family restaurant

tyz7412: lol living the dream

“Mom.”

“Earth to Mom. Come in, Mom.”


“Mom, I’m going to be late for the bus!”


Celia shook her head. The small person beside her was blurry, out of focus. Did she need glasses now?


And why was this person calling her “mom”?


Celia blinked hard, once, twice, and the little person came into focus. A girl—maybe ten, eleven years old?—staring at her expectantly, holding an open backpack.


“What?” Celia asked.


“My lunch,” the girl said. “I need my lunch. Did you drink enough coffee this morning?”

Celia looked down. In front of her, on a white countertop, was an open cloth lunch bag. Inside it there was already a plastic bag of sliced apples, a bag of all-natural puffed corn snacks (cheese flavored), and a chocolate soy milk.


A piece of waxed paper lay unfolded on the counter. What is all this disposable packaging? I would never buy things like this.


“Mom!” The little person was getting really insistent now. “Sandwich!”

Celia couldn’t think. She needed this small girl to leave so she could organize her thoughts.

Why does she keep calling me “Mom”? I don’t have any children.

“Two minutes!” the girl screeched.

There was a loaf of wheat bread and a package of cheese from the deli next to the waxed paper. Celia took out two pieces of bread.

“One piece in half! Mom, what’s wrong with you today?”

“Sorry,” Celia said, cutting the single slice of bread in half. “How much cheese?”

“Two pieces! Come on, come on!”

You’re old enough to do this yourself, Celia thought as she folded the bread around the cheese, wrapped the sandwich in waxed paper and shoved everything in the lunch bag. The girl grabbed it, stuffed it in her pack and sprinted toward the door.


“Bye, love you!” she said as she threw the door open, then slammed it shut behind her.

Celia walked like a sleepwalker to the window next to the door and peered out. The little girl was running down a long inclined driveway toward what appeared to be a country road. Across the street there was nothing to see except trees, tall trees that looked like older-growth maple, oak and ash.

The little girl reached the end of the drive just as a yellow school bus pulled up in front of the mailbox. She clambered onto the bus and it pulled away.

She’s gone. Now I can think.

Footsteps sounded overhead and Celia glanced up at the ceiling in alarm. The steps moved across the floor, and a moment later Celia heard someone large coming down the stairs. She couldn’t see the stairs from where she stood. The kitchen was attached to a dining room on one side and a hallway on the other. Celia peered into the hall. The bottom of the stairs was at the far end.

A strange man rounded the banister and headed toward her, frowning at his cell phone as he walked. Celia backed away from him, her heart pounding. Her butt bumped into the edge of the counter. She scrambled around it and positioned herself close to the door so she could run if she needed to do so. She looked down at her feet. Socks. Not even slippers. There was a pair of low shelves positioned next to the door with shoes neatly arranged on them. One of those pairs should be hers. But would she have time enough to figure out which pair, put them on and get out the door?

“Hey, babe, I’ve got a ton of meetings this morning,” the man said. “I’ll stop by the restaurant at lunchtime.”

Who is he?

The man was very tall, at least six inches taller than herself, and she wasn’t a small woman. He had dark hair cut in what she thought of as “millennial fund manager” style and wore a well-tailored gray suit. He had a gym-toned look about him and altogether gave the impression of someone who belonged in a city. This impression was reinforced when he pulled on an expensive-looking wool overcoat. His shoes, Celia noted, were very shiny.

He leaned close to her and kissed her cheek absently, still looking at the phone so he didn’t notice the way she inched backward. She caught a whiff of his aftershave, something musky and heavy. Her nose twitched.

“See you later,” he said, and disappeared out the same door as the little girl.

Celia went to the window and pulled one blind up to peek out. The man who’d called her “babe,” the man who’d kissed her goodbye, had gotten into a black Audi SUV that was parked at the top of the driveway. He backed down the drive and pulled out onto the road, heading in the opposite direction of the bus.

An Audi. City guy, she thought again, and then wondered why she thought this.

Because I live in a city and I see those kinds of guys all the time, she thought, but the thought was like a stabbing pain in her head. She looked around the kitchen, then out the window once more.

Clearly, she did not live in a city. Why did she think she lived in a city?


I’m Still Here

Hello, dear readers and friends. If you checked up on this page at any time in 2022 you probably wondered if I had fallen off the face of the earth. The answer: kinda?

If you follow me on any social media channels you may have seen from my intermittent posting there that I’ve been dealing with an ongoing, undiagnosed illness since late 2020 that occasionally prevents me from doing anything at all. While my condition is still undiagnosed and I continue to have issues, I’ve now got some medication that helps with some aspects of my illness and makes life a little more bearable. It also makes me more functional so I’m hoping to return to in-person events this year – more info on that to come!

I did sign a contract for two new books to be published with Berkley/Penguin Random House – GOOD GIRLS DON’T DIE, which will be out in November of 2023, and BRIGHT HORSES, which will be out some time next year. GOOD GIRLS DON’T DIE is in the copyediting stage, and BRIGHT HORSES has been sent to my editor for revisions. When I have cover info and preorder links I’ll share those here and on Twitter, Facebook, etc.

In the meantime, I’m still here.

Special preview of HORSEMAN!

September has arrived, and that means that my latest book HORSEMAN: A TALE OF SLEEPY HOLLOW is nearly here! It will be out on September 28th, 2021, just in time for your spooky season reading. I’ve got a sneak peek at the first chapter for you below, followed by the U.S. and UK covers and preorder links galore. I hope you join me in Sleepy Hollow on September 28th!

CHAPTER ONE

Of course I knew about the Horseman, no matter how much Katrina tried to keep it from me. If ever anyone brought up the subject within my hearing, Katrina would shush that person immediately, her eyes slanting in my direction as if to say, “Don’t speak of it in front of the child.”

I found out everything I wanted to know about the Horseman anyway, because children always hear and see more than adults think they do. Besides, the story of the Headless Horseman was a favorite in Sleepy Hollow, one that had been told and retold almost since the village was established. It was practically nothing to ask Sander to tell me about it. I already knew the part about the Horseman looking for a head because he didn’t have one. Then Sander told me all about the schoolmaster who looked like a crane and how he tried to court Katrina and how one night the Horseman took the schoolmaster away, never to be seen again.

I always thought of my grandparents as Katrina and Brom though they were my grandmother and grandfather, because the legend of the Horseman and the crane and Katrina and Brom were part of the fabric of the Hollow, something woven into our hearts and minds. I never called them by their names, of course—Brom wouldn’t have minded, but Katrina would have been very annoyed had I referred to her as anything except “Oma.”

Whenever someone mentioned the Horseman, Brom would get a funny glint in his eye and sometimes chuckle to himself, and this made Katrina even more annoyed about the subject. I always had the feeling that Brom knew more about the Horseman than he was letting on. Later I discovered that, like so many things, this was both true and not true.

On the day that Cristoffel van den Berg was found in the woods without his head, Sander and I were playing Sleepy Hollow Boys by the creek. This was a game that we played often. It would have been better if there were a large group but no one ever wanted to play with us.

“All right, I’ll be Brom Bones chasing the pig and you be Markus Baas and climb that tree when the pig gets close,” I said, pointing to a maple with low branches that Sander could easily reach.

He was still shorter than me, a fact that never failed to irritate him. We were both fourteen and he thought that he should have started shooting up like some of the other boys in the Hollow.

“Why are you always Brom Bones?” Sander asked, scrunching up his face. “I’m always the one getting chased up a tree or having ale dumped on my head.”

“He’s my opa,” I said. “Why shouldn’t I play him?”

Sander kicked a rock off the bank and it tumbled into the stream, startling a small frog lurking just under the surface.

“It’s boring if I never get to be the hero,” Sander said.

I realized that he was always the one getting kicked around (because my opa could be a bit of a bully—I knew this even though I loved him more than anyone in the world—and our games were always about young Brom Bones and his gang). Since Sander was my only friend and I didn’t want to lose him, I decided to let him have his way—at least just this once. However, it was important that I maintain the upper hand (“a Van Brunt never bows his head for anyone,” as Brom always said), so I made a show of great reluctance.

“Well, I suppose,” I said. “But it’s a lot harder, you know. You have to run very fast and laugh at the same time and also pretend that you’re chasing a pig and you have to make the pig noises properly. And you have to laugh like my opa—that great big laugh that he has. Can you really do all that?”

Sander’s blue eyes lit up. “I can, I really can!”

“All right,” I said, making a great show of not believing him. “I’ll stand over here and you go a little ways in that direction and then come back, driving the pig.”

Sander obediently trotted in the direction of the village and turned around, puffing himself up so that he appeared larger.

Sander ran toward me, laughing as loud as he could. It was all right but he didn’t really sound like my opa. Nobody sounded like Brom, if truth be told. Brom’s laugh was a rumble of thunder that rolled closer and closer until it broke over you.

“Don’t forget to make the pig noises, too,” I said.

“Stop worrying about what I’m doing,” he said. “You’re supposed to be Markus Baas walking along without a clue, carrying all the meat for dinner in a basket for Arabella Visser.”

I turned my back on Sander and pretended to be carrying a basket, a simpering look on my face even though Sander couldn’t see my expression. Men courting women always looked like sheep to me, their dignity drifting away as they bowed and scraped. Markus Baas looked like a sheep anyway, with his broad blank face and no chin to speak of. Whenever he saw Brom he’d frown and try to look fierce. Brom always laughed at him, though, because Brom laughed at everything, and the idea of Markus Baas being fierce was too silly to contemplate.

Sander began to snort, but since his voice wasn’t too deep he didn’t really sound like a pig—more like a small dog whining in the parlor.

I turned around, ready to tell Sander off and demonstrate proper pig-snorting noises. That’s when I heard them.

Horses. Several of them, by the sound of it, and hurrying in our direction.

Sander obviously hadn’t heard them yet, for he was still galloping toward me, waving his arms before him and making his bad pig noises.

“Stop!” I said, holding my hands up.

He halted, looking dejected. “I wasn’t that bad, Ben.”

“That’s not it,” I said, indicating he should come closer. “Listen.”

“Horses,” he said. “Moving fast.”

“I wonder where they’re going in such a hurry,” I said. “Come on. Let’s get down onto the bank so they won’t see us from the trail.”

“Why?” Sander asked.

“So that they don’t see us, like I said.”

“But why don’t we want them to see us?”

“Because,” I said, impatiently waving at Sander to follow my lead. “If they see us they might tell us off for being in the woods. You know most of the villagers think the woods are haunted.”

“That’s stupid,” Sander said. “We’re out here all the time and we’ve never found anything haunted.”

“Exactly,” I said, though that wasn’t precisely true. I had heard something, once, and sometimes I felt someone watching us while we played. The watching someone never felt menacing, though.

“Though the Horseman lives in the forest, he doesn’t live anywhere near here,” Sander continued. “And of course there are witches and goblins, even though we’ve never seen them.”

“Yes, yes,” I said. “But not here, right? We’re perfectly safe here. So just get down on the bank unless you want our game ruined by some spoiling adult telling us off.”

I told Sander that we were hiding because we didn’t want to get in trouble, but really I wanted to know where the riders were going in such a hurry. I’d never find out if they caught sight of us. Adults had an annoying tendency to tell children to stay out of their business.

We hunkered into the place where the bank sloped down toward the stream. I had to keep my legs tucked up under me or else my shoes would end up in the water, and Katrina would twist my ear if I came home with wet socks.

The stream where we liked to play ran roughly along the same path as the main track through the woods. The track was mostly used by hunters, and even on horseback they never went past a certain point where the trees got very thick. Beyond that place was the home of the witches and the goblins and the Horseman, so no one dared go farther. I knew that wherever the riders were headed couldn’t be much beyond a mile past where Sander and I peeked over the top of the bank.

A few moments after we slipped into place, the group of horses galloped past. There were about half a dozen men—among them, to my great surprise, Brom. Brom had so many duties around the farm that he generally left the daily business of the village to other men. Whatever was happening must be serious to take him away during harvest time.

Not one of them glanced left or right, so they didn’t notice the tops of our heads. They didn’t seem to notice anything. They all appeared grim, especially my opa, who never looked grim for anything.

“Let’s go,” I said, scrambling up over the top of the bank. I noticed then that there was mud all down the front of my jacket. Katrina would twist my ear for sure. “If we run we can catch up to them.”

“What for?” Sander asked. Sander was a little heavier than me and he didn’t like to run if he could help it.

“Didn’t you see them?” I said. “Something’s happened. That’s not a hunting party.”

“So?” Sander said, looking up at the sky. “It’s nearly dinnertime. We should go back.”

I could tell that now that his chance to play Brom Bones had been ruined, he was thinking about his midday meal and didn’t give a fig for what might be happening in the woods. I, on the other hand, was deeply curious about what might set a party of men off in such a hurry. It wasn’t as if exciting things happened in the Hollow every day. Most days the town was just as sleepy as its name. Despite this—or perhaps because of it—I was always curious about everything, and Katrina often reminded me that it wasn’t a virtue.

“Let’s just follow for a bit,” I said. “If they go too far we can turn back.”

Sander sighed. He really didn’t want to go, but I was his only friend the same as he was mine.

“Fine,” he said. “I’ll go a short way with you. But I’m getting hungry, and if nothing interesting happens soon I’m going home.”

“Very well,” I said, knowing that he wouldn’t go home until I did, and I didn’t plan on turning around until I’d discovered what the party of horsemen was chasing.

We stayed close to the stream, keeping our ears pricked for the sounds of men or horses. Whatever the adults were about, they surely wouldn’t want children nearby—it was always that way whenever anything interesting occurred—and so we’d have to keep our presence a secret.

“If you hear anyone approaching, just hide behind a tree,” I said.

“I know,” Sander said. He had mud all down the front of his jacket, too, and he hadn’t noticed it yet. His mother would tell him off over it for hours. Her temper was the stuff of legends in the Hollow.

We had only walked for about fifteen minutes when we heard the horses. They were snorting and whinnying low, and their hooves clopped on the ground like they were pawing and trying to get away from their masters.

“The horses are upset,” I whispered to Sander. We couldn’t see anything yet. I wondered what had bothered the animals so much.

“Shh,” Sander said. “They’ll hear us.”

“They won’t hear us over that noise,” I said.

“I thought you wanted to sneak up on them so they wouldn’t send us away?” he said.

I pressed my lips together and didn’t respond, which was what I always did when Sander was right about something.

The trees were huddled close together, chestnut and sugar maple and ash, their leaves just starting to curl at the edges and shift from their summer green to their autumn colors. The sky was covered in a patchwork of clouds shifting over the sun, casting strange shadows. Sander and I crept side by side, our shoulders touching, staying close to the tree trunks so we could hide behind them if we saw anyone ahead. Our steps were silent from long practice at sneaking about where we were not supposed to be.

I heard the murmur of men’s voices before I saw them, followed immediately by a smell that was something like a butchered deer, only worse. I covered my mouth and nose with my hand, breathing in the scent of earth instead of whatever half-rotten thing the men had discovered. My palms were covered in drying mud from the riverbank.

The men were standing on the track in a half circle, their backs to us. Brom was taller than any of them, and even though he was the oldest, his shoulders were the broadest, too. He still wore his hair in a queue like he had when he was young, and the only way to tell he wasn’t a young man were the streaks of gray in the black. I couldn’t make out the other five men with their faces turned away from us—they all wore green or brown wool coats and breeches and high leather boots, the same style as twenty years before. There were miniatures and sketches of Katrina and Brom in the house from when they were younger, and while their faces had changed, their fashions had not. Many things never changed in the Hollow, and clothing was one of them.

“I want to see what they’re looking at, ” I whispered close to Sander’s ear and he batted at me like I was an annoying fly.

His nose was crumpled and he looked a little green. “I don’t. It smells terrible.”

“Fine,” I said, annoyed. Sander was my only friend but sometimes he lacked a sense of adventure. “You stay here.”

“Wait,” he said in low whisper as I crept ahead of him. “Don’t go so close.”

I turned back and flapped my hand at him, indicating he should stay. Then I pointed up at one of the maples nearby. It was a big one, with a broad base and long branches that protruded almost over the track. I hooked my legs around the trunk and shimmied up until I could grab a nearby branch, then quickly climbed until I could see the tops of the men’s heads through the leaves. I still couldn’t quite see what they were looking at, though, so I draped over one of the branches and scooted along until I had a better look.

As soon as I saw it, I wished I’d stayed on the ground with Sander.

Just beyond the circle of men was a boy—or rather, what was left of a boy. He lay on his side, like a rag doll that’s been tossed in a corner by a careless child, one leg half-folded. A deep sadness welled up in me at the sight of him lying there, forgotten rubbish instead of a boy.

Something about this sight sent a shadow flitting through the back of my mind, the ghost of a thought, almost a memory. Then it disappeared before I could catch it.

He was dressed in simple homespun pants and shirt, a brown wool jacket much like my own over it. On his feet were leather moccasins, and that was how I knew it was Cristoffel van den Berg, because his family was too poor to afford shoe leather and cobbled soles, and all of the Van den Bergs wore soft hide shoes like the Lenape people. If it weren’t for the moccasins I wouldn’t have known him at all, because his head was missing. So were his hands.

Both the head and hands seemed to have been removed inexpertly. There were ragged bits of flesh and muscle at the wrist, and I saw a protruding bit of broken spine dangling where Cristoffel’s head used to be.

I hadn’t liked Cristoffel very much. He was poor, and Katrina always said we should be compassionate to those in need, but Cristoffel had been quite the bully, always looking for a chance to take out his pique on someone. He ran in a little gang with Justus Smit and a few other boys who had no personality to speak of.

Cristoffel had tried it out on me once and I’d bloodied his nose for him, which earned me a lecture from Katrina on proper behavior (I was subjected to these endlessly, so I never bothered to listen) and a clap on the shoulder from Brom, which had warmed my heart despite Katrina’s shouting.

I hadn’t like Cristoffel, but he didn’t deserve to die. He didn’t deserve to die in such an awful way. I was glad Sander couldn’t see. He had a delicate stomach and he’d have given us away by getting sick on top of the group below.

There were splashes of blood all around on the track. The men didn’t seem to want to get any closer to the body, though whether this was out of respect or fear I could not tell. They were murmuring softly, too softly for me to make out the words at first. All of the horses pulled on their reins except for Brom’s horse, Donar, a great black stallion three hands taller than all the others. He stood still, the wide flare of his nostrils the only indication that he was troubled.

Finally Brom gave a great sigh and said, loud enough for me to hear, “We’ll have to take him back to his mother.”

“What are we supposed to tell her?” I recognized this voice as Sem Bakker, the town justice. His shoulders were curled forward, as if he were trying to hide from what he was seeing.

I didn’t have much use for Sem Bakker, who was always too hearty when he saw me and thought it was a fine thing to pinch my cheeks and comment on how much I’d grown. He had no children of his own and clearly had no notion of how children like to be treated. I did not like to have my cheeks pinched by anyone, much less the town magistrate with his dirty fingernails.

Brom didn’t have much use for Sem Bakker either, whom he considered as lacking in basic common sense, something that ought to have been a requirement to be a justice. But then most people who lived in the Hollow were farmers or tradesmen, and had no desire to meddle in affairs of the law. Not that there were so many crimes in the Hollow, really—it generally amounted to little more than breaking up fights at the tavern and sending the offending parties home to have their ears burned by their angry wives—though now and then something more serious occurred.

All in all, though, the Hollow was a peaceful place to live, and was lived in by the descendants of the same people who’d founded the village. Strangers rarely visited, and almost never stayed. The Hollow was, in many ways, like a diorama in a box—never changing and eternal.

“We’ll tell his mother what we know,” Brom said, and I recognized the trace of impatience in his voice. “We found him in the woods like this.”

“He’s got no head, Brom,” Sem Bakker said. “How do we explain about the lack of head?”

“The Horseman,” one of the other men said, and I recognized the gruff tones of Abbe de Jong, the butcher.

“Tch, don’t start with the Horseman nonsense,” Brom said. “You know it isn’t real.”

“Something killed that boy and took his head,” Abbe said, pointing at the corpse. “Why couldn’t it be the Horseman?”

“Could be the damned natives,” said another man.

I couldn’t see his face because of his hat, and couldn’t pinpoint his voice, either, though I knew everybody in the Hollow just as they all knew me.

“Don’t start with that nonsense, either,” Brom said, and there was a hard warning in his tone that would have made any man with sense back down. Brom was friends with some of the native people who lived nearby, though no one else in the village dared. Mostly we left them alone and they left us alone, and that seemed to be the best plan for everyone.

“Why not? They lurk around in these woods, taking any animals they want—”

“The animals are wild, Smit, anyone can have them,” Brom said, and now I knew who Brom was arguing with—Diederick Smit, the blacksmith.

“—and we all know they’ve stolen sheep—”

“There’s no proof of that, and since you’re not a sheep farmer, I hardly see what it has to do with you,” Brom said. “I’m the only sheep farmer for miles around.”

“I don’t want to hear your defense of those savages,” Smit said. “The proof is right here, before our eyes. One of them killed this poor boy and took away his head and his hands for one of their pagan rituals.”

“Now you listen here,” Brom said, and I could see him swelling with anger, his shoulders seeming to grow broader, his fists curling. “I won’t have you spreading any of that around the Hollow, you hear me? Those people have done nothing to us and you have no proof.”

“You can’t stop me from speaking,” Smit said, and though his words were brave and his arms were nearly as muscled as Brom’s, I heard a little quaver in his voice. “Just because you’re the biggest landowner in the Hollow doesn’t give you the right to run everyone’s lives.”

“If I hear one word accusing the natives of this murder I’ll know who started the rumor,” Brom said, stepping closer to Smit. “Just remember that.”

Brom towered over the blacksmith, as he towered over every man in the Hollow. He was built on a scale almost inhuman. I saw Smit’s shoulders move, as if he considered a retort and then decided better of it.

“If it’s not the natives that only leaves the Horseman,” De Jong said. “I know you don’t like it, Brom, but it’s true. And you know, too, that as soon as word gets out about the boy’s circumstances, everyone else in the Hollow will think the same.”

“The Horseman,” Brom muttered. “Why will none of you say what’s probably true—that someone from the Hollow did it?”

“One of us?” De Jong said. “People from the Hollow don’t kill children and cut off their heads.”

“It’s a good deal more likely than the mythical Headless Horseman.” Brom didn’t believe in a lot of the things people in the Hollow believed in. It wasn’t the first time I’d heard him refer to someone else’s ideas as nonsense.

Even though everyone in the village attended church on Sunday there was a good deal of what the pastor called “folk beliefs”—and he shared some of those beliefs himself, which was unusual for a man of God, or so Katrina told me. It was something about the Hollow itself that encouraged this, some sense that there was lingering magic in the air, or that the haunts in the far woods reached their hands out for us.

Once, a long time ago, I’d stepped off the track close to the deep part of the forest. I remembered Sander going mad with anxiety, calling for me to come back, but I only wanted to know why nobody in the Hollow went any farther than that point.

I hadn’t seen any witches, or goblins, or the Horseman. But I had heard someone, someone whispering my name, and I’d felt a touch on my shoulder, something cold as the wind that came in autumn. I’d wanted to run then, to sprint terrified back to the farm, but Sander was watching, so I’d quietly turned and stepped back on the track and the cold touch moved away from me. If Brom had known about it he would have been proud of my bravery, I think—that is, if he didn’t box my ears for going where I wasn’t supposed to. Not that he did that very often. Katrina was the one who meted out discipline.

“If you don’t think it’s the Horseman then it’s not someone from the Hollow,” De Jong insisted. “It must have been some outsider.”

“No one’s reported strangers passing through,” Sem Bakker said.

“That doesn’t mean they haven’t passed through, only that no one was aware of them,” Brom said, with that tone he always saved just for Sem—the tone that said he thought the other man was an idiot. “A man could cross these woods and none of us would ever know, unless a hunter happened upon him.”

Sem flushed. He knew what Brom was doing, knew full well that Brom Bones thought he was a fool. He opened his mouth, ready to argue more, but one of the other men cut him off.

“Let’s just return the boy to his mother,” Henrik Janssen said. He was a farmer, like Brom, and his lands bordered ours. Some quality in Henrik Janssen always made me feel uneasy around him. “There isn’t much that can be done right now. If it was the Horseman, then that is part of life here, isn’t it? It’s the risk we take by living so close to the edge of the world.”

There was a general murmur of assent. This would seem callous in other places, other villages, but in Sleepy Hollow strange things were true, and sometimes those strange things reached out their claws. It wasn’t that people didn’t care; it was that they accepted horror in exchange for wonder.

“The boy’s father will be a problem,” Sem Bakker said.

This was a sideways reference to Thijs van den Berg’s habit of drinking until he’d spent all his pay and left nothing for his family. He was the most volatile man in the village when he was in that state, and if he couldn’t find a man to pick a fight with in the tavern, then he’d go home and pick a fight with his wife—a fight she always lost, being small and unable to stand up to his fists.

Every woman in Sleepy Hollow pitied his wife, but they never dared show it to her. A prouder woman than Alida van den Berg didn’t exist in the village. I often heard Katrina and other ladies clucking over what they ought to do to help the family, before deciding that Alida wouldn’t accept their help in any case.

These conversations always left Katrina with sad eyes, and me with an unaccountable need to comfort her—unaccountable because we were at odds over every other thing.

“In the meantime, the family has a right to mourn and bury him,” Janssen said.

There were nods all around the circle from everyone except Brom, who scrubbed his face with his hands, a gesture that meant he was irritated, and doubly irritated on top of it because he wasn’t allowed to express that feeling.

I felt my grasp slipping and gasped before quickly recentering myself, pushing my knees into the branch to keep steady. I was worried that the men might have heard me, but at that moment Brom unbuckled his saddlebag and pulled out a blanket for Cristoffel’s remains. All the men’s attention was focused there, and none of them looked around at me.

Brom knelt beside Cristoffel and carefully rolled the boy’s body onto the blanket before tucking the edges so that none of Cristoffel was actually visible. All that was left of him—that boy who bullied other children and who was so poor that he couldn’t afford shoes—was a sad little lump wrapped in cloth. None of the other men spoke, or moved to help him, and I felt an unreasoning anger at that moment. Whatever Cristoffel’s failings, he’d been a person, and only Brom was bothering to treat him like one. Every other man only thought of Cristoffel as a problem to be solved or explained.

I wondered why most of them had bothered coming along. Then I wondered why the men had rushed out to this spot in the forest to begin with. Someone else must have discovered the body and reported it—but who? I assumed it was one of the men in the party, who would have been on horseback. Why wouldn’t that person have done just as Brom had and wrapped the body up to return to the Hollow? Why had that person left Cristoffel on the trail?

A few moments later Brom mounted his horse, Cristoffel’s body cradled in one arm. The other men followed suit and they slowly filed away, their horses walking at a respectfully slow pace.

Only Diederick Smit lingered, his gaze fixed on the place where Cristoffel’s body had lain. He stood staring so long that it seemed like he’d fallen into a trance. Finally, he turned his horse and followed the others.

My hands were cramped from holding on to the branch for so long and my back was covered in sweat, even though I’d been very still.

“Ben!” Sander said. He spoke in a whisper, as if he were still afraid of being heard by someone. His face was a pale blotch against the fallen leaves.

“I’m coming,” I said, easing backward until I reached the trunk of the tree. Then I carefully swung down, my hands clinging to the branch, and grabbed the trunk with my knees so I could shimmy down. I dusted the bark off my breeches.

“Cristoffel van den Berg was killed by the Horseman!” Sander said, his eyes the size of Katrina’s teacups.

“No, he wasn’t,” I said, trying to summon up the same contempt that Brom had used on the other men. “Didn’t you hear what they were saying? Opa said it was nonsense.”

Sander gave me a doubtful look. “Just because Mynheer Van Brunt says it doesn’t mean it’s true. I mean, everyone in the Hollow knows about the Headless Horseman, and what else could have killed that boy? It’s not as if there are people roaming around taking heads for no particular reason. Only the Horseman does that.”

I would not admit to Sander that what he said made sense. It was the first thought that had occurred to me, too, when I saw Cristoffel’s body without a head. But if Brom said it wasn’t true, then it wasn’t true.


HORSEMAN: A Tale of Sleepy Hollow is published by Berkley Books in the United States

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2021 releases – NEAR THE BONE and HORSEMAN

Happy new year! I know 2020 was a tough one for everyone but we made it through. Unfortunately the pandemic stopped all appearances after March so I wasn’t able to see as many of you as I would have liked. I’m particularly sorry that my UK tour didn’t go off as planned but I hope to try again when it’s safe for everyone to gather and travel.

I had two books out last year – Looking Glass, a collection of novellas set in the world of The Chronicles of Alice, and The Ghost Tree, a stand-alone coming-of-age horror novel. If you missed either book you can find more information and order links here for Looking Glass and here for The Ghost Tree.

I’m very excited about my upcoming 2021 releases, Near the Bone and Horseman: A Tale of Sleepy Hollow. You can find more information, covers for Near the Bone (covers for Horseman to come) and preorder links where available below.

I hope that 2021 will be a good year for all of us, and I wish you health and happy reading.

A woman trapped on a mountain attempts to survive more than one kind of monster, in a dread-inducing horror novel from the national bestselling author Christina Henry.

“Mattie can’t remember a time before she and William lived alone on a mountain together. She must never make him upset. But when Mattie discovers the mutilated body of a fox in the woods, she realizes that they’re not alone after all.

There’s something in the woods that wasn’t there before, something that makes strange cries in the night, something with sharp teeth and claws.

When three strangers appear on the mountaintop looking for the creature in the woods, Mattie knows their presence will anger William. Terrible things happen when William is angry.”

U.S. edition published by Berkley Publishing, an imprint of Penguin Random House

To add NEAR THE BONE to your Goodreads lists click here

Grab the U.S. edition from your favorite bookseller or one of these retailers:

Anderson’s Bookshops

Barnes & Noble

The Book Cellar

Bookmarks

Books-A-Million

Bookshop

Bucket O’Blood Books and Records

Indiebound

Kobo

Mysterious Galaxy

RoscoeBooks

Unabridged Bookstore

Volumes

Women and Children First

Audible

Amazon

U.K. edition is published by Titan Books

Exclusive Signed Winter Edition hardcover with blue sprayed edges available only at Forbidden Planet

Waterstones

The Beckenham Bookshop

Big Green Bookshop

The Book Shop

Five Leaves Bookshop

Forum Books

Foyles

Mr. B’s Emporium

Hive

Literally Productions

The Mainstreet Trading Company

Max Minerva’s

The Portobello Bookshop

Topping & Company Booksellers

Transreal Fiction

WriteBlend

Covers and preorder links for HORSEMAN are not yet widely available – so far there is just this Amazon link, but I will add more information as it goes up on various sites. You can check out the back cover copy below:

In this atmospheric, terrifying novel that draws strongly from “The Legend of Sleepy Hollow,” the author of Alice and The Girl in Red works her trademark magic, spinning an engaging and frightening new story from a classic tale. 

Everyone in Sleepy Hollow knows about the Horseman, but no one really believes in him. Not even Ben Van Brunt’s grandfather, Brom Bones, who was there when it was said the Horseman chased the upstart Crane out of town. Brom says that’s just legend, the village gossips talking. 

Twenty years after those storied events, the village is a quiet place. Fourteen-year-old Ben loves to play “Sleepy Hollow boys,” reenacting the events Brom once lived through. But then Ben and a friend stumble across the headless body of a child in the woods near the village, and the sinister discovery makes Ben question everything the adults in Sleepy Hollow have ever said.

Could the Horseman be real after all? Or does something even more sinister stalk the woods?